THE AEGEAN WORLD IN AMERICAN LITERATURE
By Alexander Karanikas
I Summary of lecture by Dr. Alexander
Karanikas at
the Second Scientific Symposium on “The Aegean
Through
the Centuries” sponsored by the Aegean
Foundation,
Athens, Greece, June 4-5, 1987.
II Text
of the lecture, “The Aegean in American Literature”,
presented at the Symposium on June 4, 1987.
III Bibliography
By Alexander Karanikas
Professor of English
Emeritus University
of Illinois at Chicago
Summary of
lecture by Dr. Alexander Karanikas at the Second Scientific
Symposium
on “The Aegean Through the Centuries” sponsored by the
Aegean
Foundation, Athens,
June 4-5, 1987.
The Aegean World in
American Literature
Alexander Karanikas began his talk on “The Aegean World in
American Literature” by stating that modern Greece has “long been a favored
setting for romantic, adventure, and mystery novels among American, British,
and continental authors.” To support his
statement he cited thirty-three American writers who have used Aegean
locations, characters, and themes in their creative works.
Among those mentioned were William Cullen Bryant, Herman
Melville, George Horton, Ernest Hemingway, Irving Stone, Harry Mark Petrakis,
Theano Papazoglou-Margaris, Demetrios A. Michalaros, Demetra Vaka, Sidney
Sheldon, Phylllis A. Whitney, and James Jones.
Dr. Karanikas stated:
“The very antiquity of Greece
resonates with memory and imagination enriched by archetypes from myth, classical
literature, and history.” Several novels
deal with ancient Crete and the legend of
Ariadne. Modern Cretans are also
characters in American fiction.
Great events in Greek history that have inspired American
novels include the Greek Revolution, the massacre at Chios,
the Catastrophe of 1922, and the German Occupation during World War II. Besides Crete and Chios the settings include
the Dardanelles, Prinkipo, Pyrgos, Mytilene, Smyrna, Poros, Thera, Rhodes,
Tsatsos, Antikythera, Vomos, Baos, the site of Troy, Missolonghi, Piraeus, and
Athens.
Some novels have plots that begin in America and end somewhere in the Aegean. They and
others have themes that include adventure, romance, mystery, crime, espionage,
and war. The dozens of characters
dramatized by the thirty-three authors help to establish in a unique way the
Greek nature of the region.
Dr. Karanikas concluded his talk at the Symposium with these
words about the Aegean. “Strong cultural forces both old and new
operate here. They radiate in every
direction. The Aegean is the Holy Land of classical and Christian humanism. Here the best that was inspired by Mt. Olympus
combines with the best inspired by Mt.
Athos. American writers respond to the Aegean as the soul of western civilization. We who are Greeks respond because the Aegean embodies the heartbeat of Hellenism.”
The Aegean World in
American Literature
Modern Greece
and her Aegean Islands have long been a favored setting
for romantic, adventure, and mystery novels among American, British, and
continental authors. Many stories begin
in the United States and
then shift to Greece
to be developed and resolved. The
popular tourism has attracted writers many of whom found useful settings,
characters, episodes, and themes. The
very antiquity of Greece
resonates with memory and imagination enriched by archetypes from myth,
classical literature, and history.
We may begin our survey with Demetrios Michalaros who for
twenty-six years edited Athene Magazine in Chicago.
In his Sonnets of an Immigrant he writes about Greeks who leave
their Aegean homes for a new life in America. Among his titles is the epic poem The
Minoan. A young Minoan prince, Antalos, leaves Crete with his comrades,
sails westward into the unknown, discovers America, and on the great western
plains defeats a vast army from the orient for control of the new world.
Several novels also deal with ancient myths associated with Crete, with King Minos, the Minotaur, with Ariadne,
Theseus, and Daedalus. For one example
there is June Brindel’s Ariadne, written from a feminist point of
view. The book states: “As Minos plots against the matriarchy, as
famine stalks the mountains and the people grow restive, Ariadne struggles to
preserve her religion, her throne, and her life. Bold, handsome Theseus, prince of Athens, appears to offer
help: but does he come to save Ariadne—or destroy her?
In The Age of Wizardry, by Jack Williamson, the
Minoans including Ariadne and Daedalus are seen as wizards with dark mystical
powers. When Theseus severs the head of Keke, Ariadne’s beautiful dove, the
head turns into the “dark, skeletal visage of Daedalus.” A dwarfish wizard becomes the brazen giant
Talos. For Theseus the lovely Ariadne at
the end renounces the power of wizardry.
Barbara Michaels in The Sea King’s Daughter presents
a modern heroine named Ariadne whose father seeks a fleet of Minoan ships sunk
in the harbor of a Greek island, the alleged location of Atlantis. They search for the ships near Thera, one of
the islands in the Cyclades group.
A wonderful book about the Aegean
as a whole is George Horton’s Home of Nymphs and Vampires: The Isles of Greece.
Another fine book by Horton is In Argolis, about his family’s
stay on the island of Poros after his position ended as American minister
to Greece. He served as consul in Smyrna during the Catastrophe of 1922. Among his Poems of An
Exile is a tribute to his wife’s bravery as she witnessed the tragic
events. Two of Horton’s novels deal more
with the Aegean area than with Greece
proper. Constantine is about a young Greek
sailor who is betrayed by his godfather.
In Like Another Helen, a
ship leaves Piraeus for Crete
with a load of contraband weapons for the Cretan rebels.
The Greek Revolution of 1821-29 inspired a real “Greek
Fever” of writing and support in America. M. Byron Raizis and Alexander Papas have
documented the extent of the phenomenon in an excellent new study. About the Aegean
area in particular was the poem “The Massacre at Scio” by William Cullen
Bryant. In recent years three novels
have been set on Chios. Athena Dallas-Damis in Island of the Winds
and Windswept wove love stories into the larger events of the
massacre. In The Quarries of Sicily,
Thomas Doulis has a great but neglected modern Greek
author living on Chios.
Still another novel of the Greek Revolution era is The
Missolonghi Manuscript by Frederick Prokosch, describing the last days of
Byron. And The Hour of the Bell,
by Harry Mark Petrakis, relates to the Aegean
in that Petrakis describes the roles of the Greek islands at the start of the
rebellion.
The Dardanelles area has
its authors, too. Herman Melville’s
impressions of Greeks he met are included in Journal Up
the Straits when he visited Constantinople before going to Jerusalem.
Demetra Vaka’s excellent novel Delarah is set on the island of Prinkipo
in the Sea of Marmora.
The time is 1909 and the revolt of the Young Turks against Sultan
Hamid. The Greek girl Alcmene teaches
her Turkish girlfriend Delarah how to read and write. At the end, because her own parents are
doomed, Delarah assumes a Greek name, Daphne Mousouros. The novel Delarah ends happily when
the two girls depart from Turkey
for Paris on
the Orient Express.
Several thrillers and mysteries written by Americans are set
in the Aegean.
Among them is Dardanelles Derelict by the popular author Van Wyck
Mason. His hero is Major Hugh
North. Because of his brilliance as a
secret agent, the Soviet Union rescinds an ultimatum that could have precipitated
war with the United States.
Many of the Anatolian Greeks who left Turkey during the Catastrophe of 1922 and after
settled in a new village named Pyrgos near Mt.
Athos, the Holy Mountain. In that part of the Aegean are set two
delightful books by Joice M. NanKivell, Tales of Christophilos and Again
Christophilos. The author lived in
Pyrgos both as a Quaker relief official and as a doctor to the villagers and
the monks. The two books represent the
writer as an archaeologist of the mind who gathers a literary treasure from the
rich, vibrant memory of the Greek folk.
The island in Edward Fenton’s juvenile book Aleko’s
Island is Mytilene. Aleko is a poor
orphan whose beloved goat Lesbia happens to dig up a valuable bronze
artifact—that of a boy carrying a lamb on his shoulders. Instead of selling the treasure for cash,
Aleko accepts an offer for the artifact to be placed in a museum in exchange
for his getting an education in Athens—to
become an archaeologist.
In a biographical novel, The Greek Treasure, Irving
Stone recreates the love and adventure story of the famed archaeologist
Heinrich Schliemann and the Greek girl who became his wife, Sophia
Engastromenos. She was seventeen, he
forty-seven. In twenty years of working
together they found not only Homer’s Troy but
also Pausanias’s royal tombs at Mycenae, the
treasury at Orchomenos, and the palace at Tiryns.
The catastrophe of 1922 has been most tragically recorded by
Greek writers who experienced it themselves.
A notable example is Number 31328 by Elias Venezis. Thomas Doulis, a Greek American scholar, has
examined all these works in a valuable study, Disaster and Fiction: Modern
Greek Fiction and the Impact of the Asia Minor
Disaster of 1922.
Ernest Hemingway witnessed the aftermath of the destruction
of Smyrna and wrote dispatches for the Toronto Star Weekly. He also describes the “never-ending
staggering march” of the Christian population of Eastern Thrace fleeing toward Macedonia.
Two recent books, one factual and the other fiction, recall
those grim and bloody days. Marjorie
Housepian in The Smyrna Affair gives what the book terms “the first
comprehensive account of the burning of the city and the expulsion of the
Christians from Turkey
in 1922.” She bitterly condemns the
western Great Powers for permitting the genocide. Richard Reinhardt’s novel The Ashes of
Smyrna is equally valuable as history and as entertainment. It is a story of love between a Greek girl
and a young Turk, Abdullah, in the midst of social
upheaval. The love leads nowhere because
Abdullah dies. The author of The
Ashes of Smyrna does not take sides in the conflict. He notes, however, that as hordes of refugees
jam the quay at Smyrna,
Allied warships sit in the harbor oblivious to the carnage and panic.
The Dodecanese Islands figure in American literature because, among
other reasons, the Greek spongers at Tarpon
Springs, Florida,
came mainly from that region. Five
novels and many articles have been written about the spongers. The islands of origin mentioned include Symi,
Halki, Kos, and Kalymnos. Jennie Harris wrote an article on Tarpon
Springs for the National Geographic.
There she watches an incoming boat and thinks: “Such a boat entered Aegean ports in the epic
days of Homer.” She mentions that for
centuries the Dodecanese
Islands were famous as
sponge centers. “Among these…were Kos,
where Hippocrates, father of medicine, had lived, and Patmos, where the exiled St. John wrote the Revelations
of the Bible.”
Indeed, many novels about Greek immigrants in America stress
the villages and areas from which they emigrated. In Gold in the Streets, by Mary
Vardoulakis, George Vardas arrives from Crete to joining other Cretans already
working in the mills of Chicopee,
Massachusetts—the state now
governed by a Greek, Michael Dukakis.
The grandfather in Ariadne Thompson’s The Octagonal Heart grew up
in Smyrna where
he had a lucrative silk-manufacturing business.
The hero of The Odyssey of Kostas Volakis by Petrakis
came from Crete, as did the forbears of
Petrakis himself. And many characters in
the moving stories of Theano Papazoglou-Margaris lived in Anatolia
before joining the Greek diaspora.
The island
of Rhodes has been
popular as a setting for American fiction.
One fine case of tourism at work is Clair Bishop’s book for children, A
Present from Petros. A note about
the author states: “During a recent stay
in Greece
she fell in love with the country and the young guide and his donkey she knew
there were her inspiration for Petros and Kyrios in A Present from Petros.”
The girl in the story, Susan Spencer, is
taken by Petros to the Valley of the Butterflies on Rhodes. His gift to her is the most beautiful
specimen he can find.
Just as Nick Carter and other American secret agents go to Greece on
suspenseful capers, so do the Bobbsey twins and other young sleuths and
adventurers. Some are drawn there by
mysteries that originate in the United
States, while others are caught up while
touring the country. In the opening
paragraph of Mystery of the Hidden Hand, set on Rhodes,
Phyllis A. Whitney writes: “Neither Gale
nor Warren had any idea of the strange events that would soon involve them in
unexpected adventure.” The novel is also
a travelogue in that the children explore an old Venetian castle and examine
the spot where the Colossus once stood.
Two adult novels set on Rhodes
are The Martlet’s Tale by Nicholas Delbanco and The Blind Cave
by Leo Katcher. The first begins and
ends on Rhodes with the middle section set in Athens.
The episodic plot revolves around a dying old lady who allegedly has a
large fortune to bestow. She leaves
behind a family of relatives who will bicker and fight among themselves. In fact, however, she might have not wealth
but only bitterness to offer.
An American CIA agent named Richard Landon is the hero of
Katcher’s thriller The Blind Cave.
Landon comes to the Aegean in search of some plutonium missing from one
of America’s
satellites. To recover the plutonium he
has to work with both Greek and Soviet agents as well as his own. To Landon the cruise of the Greek islands
means constant danger and continual searching.
Some evil person has the means to create an atomic bomb. His cruise takes him to Istanbul,
Delos, Mykonos, then back to Athens. The madman turns out to be Landon’s own superior
and top intelligence official in Washington.
As we might expect, the German Occupation of Greece and the
Greek Civil War inspired novels by American authors. The very earliest, in 1945, was Apartment
in Athens by Glenway Wescott. A Nazi
officer, Major Kalter, is quartered in the home of the Helianos family. When Kalter’s wife dies in an air raid and
his two sons die in combat, he commits suicide.
A dedicated Nazi, he makes his death appear like murder in order to
falsely implicate Helianos and guarantee his doom.
George N. Rumanes, a Greek American writer, uses the port of Piraeus as the locale for The Man With the Black Worrybeads. His protagonist is Petros Zervas. He works with British Intelligence to
sabotage a fleet of German supply ships in the harbor. The supplies are desperately needed by Field
Marshall Rommel in North Africa. Petros succeeds, but is killed by a misguided
Greek youth who blames him for Nazi air raids upon Athens.
The legend of the Greek shipowner took a giant step forward
in Sidney Sheldon’s The Other Side of Midnight, 1973. A murder trial in Athens gives Constantin Demiria, the
shipowner, a chance to wreak vengeance on a couple who have betrayed him. The word ruthless is often applied to
the fictional Greek shipowner. Sheldon
contributes to the stereotype. Demiris’s
private joy is to destroy anybody who betrays, delights, or otherwise opposes
him.
Several other Greek islands may be mentioned in this all too
brief report on the Aegean world in American Literature. The famous agent Nick Carter in Seven Against Greece breaks up a spy operation on Baos Island,
and he again save the world from almost certain destruction.
James Jones, the celebrated author of From Here to
Eternity, fell in love with Greece;
and late in his career he wrote a thriller, A Touch of Danger, set on
the island of Tsatsos.
His aging hero is Lobo Davies.
Another rich, powerful, and mysterious Greek shipowner looms large in
the action. Decadence, drugs, and murder
inform the plot.
Edmund Keeley, the well-known translator of Cavafy and
brother of Robert Keeley, the American ambassador, has also written several
novels set in the Aegean. The Libation is a modern version of
the Oresteia by Aeschylus that begins with the Catastrophe of 1922 and the
burning of Smyrna. In The Gold-Hatted Lover the hero goes
from Pireaus to Crete and also spends time in
Poros. The theme of Keeley’s third
novel, Voyage to a Dark Island, is treasure hunting off the island of Anti-ky-thera. The hero is looking for a galleon loaded with
artifacts.
A more successful treasure hunt in Greek waters occurs in The
White Hand of Athene by Jim Thorne, himself an adventurer with expertise in
underwater archaeology. The fictional
hero, Jib Gordon, searches off the island
of Vomos where he finds the submerged
ruins of Emborium, City of Commerce,
a Minoan center which vanished in 2450 B.C. The title refers to a fake artifact that his
benefactor wants him to validate in a conspiracy for fame and profit. The novel ends with Jib Gordon sadly
remembering the beautiful Greek actress he had loved and lost.
We may conclude from the authors and their works mentioned
that the Aegean world has indeed had a significant affect on American
literature. Additional research could
add many more titles. All the books noted have Greeks as characters, testifying
in a creative and unique way to the Greek nature of the Aegean. Strong cultural forces both old and new
operate here. They radiate in every
direction. The Aegean is the Holy Land of classical and Christian humanism. Here the best that was inspired by Mt. Olympus
combines with the best inspired by Mt.
Athos. American writers respond to the Aegean as the soul of western civilization. We who are Greeks respond because the Aegean embodies the heartbeat of Hellenism.
Alexander
Karanikas
The Aegean World in
American Literature
Author Book Location
Demetrios A. Michalaros Sonnets
of An Immigrant Aegean
The
Minoan Crete
June Brindel Ariadne Crete
Jack Williamson The Age of Wizardry Crete
Barbara Michaels The
Sea King’s Daughter Thera
George Horton Home
of Nymphs and Vampires Aegean
In
Argolis Poros
Poems
of An Exile Smyrna
Constantine Aegean
Like
Another Helen Crete
William Cullen Bryant “The
Massacre at Scio” Chios
Athena Dallas-Damis Island
of the Winds Chios
Windswept Chios
Thomas Doulis The Quarries of Sicily Chios
Frederick Prokosch The Missolonghi Manuscript Missolonghi
Harry Mary Petrakis The Hour of the Bell Aegean
The
Odyssey of Kostas Volakis Crete
Herman Melville Journal
Up the Straits Dardanelles
Demetra Vaka Delarah Prinkipo
Van Wyck Mason Dardanelles
Derelict Dardanelles
Joice M. NanKivell Tales
of Christophilos Pyrgos
Again
Christophilos Pyrgos
Edward Fenton Aleko’s
Island Mytiline
Irving Stone The Greek Treasure Site of Troy
Thomas Doulis Disaster
and Fiction Smyrna
Ernest Hemingway Newspaper
dispatches Smyrna
Marjorie Housepian The Smyrna Affair Smyrna
Richard Reinhardt The Ashes of Smyrna Dodecanese
Mary Vardoulakis Gold
in the Streets Crete
Theono Papazoglou-
Margaris Short stories Anatolia
Ariadne Thompson The Octagonal Heart Smyrna
Clair Bishop A
Present from Petros Rhodes
Phyllis A. Whitney Mystery
of the Hidden Hand Rhodes
Nicholas Delbanco The
Martlet’s Tale Rhodes
Leo Katcher The Blind
Cave Rhodes
Glenway Westcott Apartment
in Athens Athens
George N. Rumanes The Man With the Black Worry-
beads Athens
Sidney Sheldon The Other Side of Midnight Athens
James Jones A
Touch of Danger Tsatsos
Edmund Keeley Voyage
to a Dark Island Antikythera
Jim Thorne The White Hand of Athene Vomos
Nick Carter Seven
Against Greece Baos